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Memory will fail. What we remember is always a slightly false reconstruction of a moment already gone. An image holds a fragment of life before time alters it.
Every person carries their own world, their own way of seeing life. When I film or photograph, I'm not just making images: I try to convey that world, what is going on inside the person at that very instant.
Knowing that we never fully enter someone else's world. The image is an attempt at a bridge between our worlds.
My eye goes beyond technique. I film and photograph with intention, after what each moment truly carries. Beauty shows up in spontaneous expressions, in bodies in movement, in real states.
Bonds are what I most love to photograph. I stay close and wait for what passes between people, in the gestures nobody agreed on and in the details we don't always notice.
My eye goes beyond technique. I film and photograph with intention, after what each moment truly carries. Beauty shows up in spontaneous expressions, in bodies in movement, in real states.
Bonds are what I most love to photograph. I stay close and wait for what passes between people, in the gestures nobody agreed on and in the details we don't always notice.
I've always liked watching what isn't noticed at first. Before images, my trade was interpreting in sign language: building a bridge between people, catching what is implied, what we say without speaking.
Even there I look for life: a presence, a movement, someone who makes the space breathe.
For that there is a method of its own, the Regard Method.
